The AGI is a professional gathering, currently spanning five decades and consisting of 509 creative professionals from 40 countries.
http://a-g-i.org/
作品名称:《AGI in China》
制作工艺: 青花釉彩 瓷盘
作品尺寸: 450mmx450mm
AGI是平面设计师的国际性平台。这个作品我希望是以中国设计师身份与大家的一次交流和沟通。作品将“AGI”的字母以青花釉彩的颜色印在瓷盘上,表达这次展览“AGI in China”的主题。这是一个词与物的游戏,词是符号,物是实在。建立和破坏它们的关联和秩序都是设计师乐此不疲的游戏吧。
Title: AGI in China
Medium: Blue and white porcelain
Dimensions: object: 450mmx450mm
As a Chinese designer, I present this work as a space for communication with designers from all over the world. Three cobalt-blue letters “AGI” set on a white ground potter dish, echoing with the theme of the exhibition - “AGI in China". It's a game of words and objects, in which words are symbols whereas objects are entities. As designers, we may all enjoy the game of establishing and deconstructing the associations and orders between them.
作品名称:《坐飞机去中国看AGI》
制作工艺: 艺术微喷
作品尺寸: 1000x1428mm
我想,旅行中最令人沉醉的,便是在旅途之中,怀着对终点的遐想与期待,眺望窗外,望着一路各色的风景,心中的期盼愈加强烈。
“望着阳春四月的天空,我想坐着飞机去看AGI在中国的展览。”
海报可被首尾相连无限延长,直至还原一架飞机的大小。
Title: Flying to China for AGI
Medium: Giclee print on paper
Dimension: Poster: 1000mmx1428mm
It seems to me that the most charming part of a trip is imagining the unknown future. With my mind filled with visions, I am looking forward to the upcoming event.
“Gazing at the sunny April sky, I am flying to China for the AGI exhibition.”
The poster could be endlessly continued by juxtaposing one to other, eventually to the length of a real aircraft.
2018年1月10日上午,以“植物:不可思议的智慧 The Incredible Wisdom of Plants”为主题的2019北京世园会植物馆在北京中央美术学院美术馆报告厅正式发布。
植物馆是2019北京世园会四大核心主场馆之一,由万科集团、北京世园投资发展有限责任公司共同投资建设。建筑及室内设计由URBANUS都市实践建筑设计事务所操刀,北京市园林科学研究院张世伟总工程师担纲温室总设计师,室外景观设计、温室景观概念来自Office Ma团队。
United Design Lab作为植物馆的品牌视觉设计团队,将在未来两年里负责其品牌视觉、环境图形、空间导视、出版物等一系列设计工作。
敬请期待。
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2019中国北京世园会
EXPO BEIJING 2019时间:2019年4月29日-10月7日
地点:中国 北京
主题:绿色生活 美丽家园
(英文:Live Green, Live Better;法语:Vivre vert, Vivre mieux)
汀壶获得了2017年Good Design Award日本优良设计大奖。
附上获奖评语:
Teawith is an electric kettle that you will never be bored with, even if you have seen it a hundred times. It is clear that the designer is a person who loves to drink tea and is familiar with how to enjoy life. The shape of the electric kettle is very simple but modern. From the processing of many details it can be seen that progressive prototypes have been repeatedly tried until the present version was produced. The kettle's silhouette is simple, the proportions cannot be faulted, and it is very graceful and comfortable. The switch operation and experience of using it were all very accurate, and the movements of every single operation were designed in advance. Therefore, anyone who has this teapot will feel in the same way that he or she has started a kind of use ceremony. The cylindrical teapot on top of a square heating base is very well matched and creates an oriental atmosphere. In other words, the design of this tea pot can impress and motivate even those people who do not drink tea to feel like they want to start drinking tea. In my opinion, being beautiful, concise and accurate were the key points that resulted in a win for this electric kettle.